The Foreigner
at Fullerton Union

Reviewed on November 3, 2018

Katie Wagner
University
Submitted for publication to OC Register

Comfy, Cozy, Kooky Comedy in Fullerton Union's ‘The Foreigner'
written by Katie Wagner, a senior at University High School

Cloaked in pearly robes, five aggressive men whoop and holler with blustery vigor. They attempt to scare the accepting residents of a homey Georgia hunting lodge, but, despite racist enthusiasm, are ironically outwitted by a foreigner.

At Fullerton Union, inventive technicians and energetic actors join to create a heartwarming comedy. Their remarkable production of "The Foreigner" tackles mature themes of violence and discrimination with successful, uproarious gusto.

As Charlie Baker, Devin Ricklef commits to a physically taxing role and undergoes an impressive transformation. He begins as a very anxious character - stuttering hesitantly in a crisp British accent, shoulders hunched, brow furrowed in perpetual worry. But, after being branded an inarticulate foreigner, Charlie discovers a more confident side of himself. He leaps atop tables, scares attackers with ferocious shouts, and recounts nonsensical stories with bright, wide-eyed glee.

Ellard Simms (Tate Heinle) bounces down the stairs, face plastered with a near-constant, 100-watt grin. Though a little simple, Ellard exudes sweetness, particularly as he begins teaching Charlie English. Adorably, he scampers around the living room, pointing at various objects and declaring their names in a smooth, southern drawl.

Sydney Castiglione is Betty Meeks, a sweet, maternal old lady. When attackers invade her home she is fiercely protective, positioning herself squarely in front of Charlie's hunched body, a frying pan gripped tightly in hand. In this standout moment, her stance is wide, her voice is authoritative, and her loving nature is heartwarmingly clear.

The set for this production (Tate Heinle, Carrie Cutis) is expertly cozy and inviting. Cinnamon-brown wooden walls are adorned with mounted antlers, touches of hunter green are evident in door and window frames, a comfortable brown sofa dominates the seating area, and an American flag afghan is draped patriotically over a banister.

Sound, designed by Timothy Coleman and Adam Rooney, is impeccably executed by stage manager Samantha Brackman and sound board operator Avi Block. Through closed doors, only a gentle pattering of rainfall is audible, but, the moment doors open, this unobtrusive sound grows to a torrential roar. This synchronization is precise and impressive, adding realism to a kooky comedy.

At Fullerton Union High School, astute actors and talented technicians successfully create gut-busting comedy while maturely tackling heavy themes of discrimination and violence.

Katie Wagner
University
Submitted for publication to OC Register

Comfy, Cozy, Kooky Comedy in Fullerton Union's ‘The Foreigner'
written by Katie Wagner, a senior at University High School

Cloaked in pearly robes, five aggressive men whoop and holler with blustery vigor. They attempt to scare the accepting residents of a homey Georgia hunting lodge, but, despite racist enthusiasm, are ironically outwitted by a foreigner.

At Fullerton Union, inventive technicians and energetic actors join to create a heartwarming comedy. Their remarkable production of "The Foreigner" tackles mature themes of violence and discrimination with successful, uproarious gusto.

As Charlie Baker, Devin Ricklef commits to a physically taxing role and undergoes an impressive transformation. He begins as a very anxious character - stuttering hesitantly in a crisp British accent, shoulders hunched, brow furrowed in perpetual worry. But, after being branded an inarticulate foreigner, Charlie discovers a more confident side of himself. He leaps atop tables, scares attackers with ferocious shouts, and recounts nonsensical stories with bright, wide-eyed glee.

Ellard Simms (Tate Heinle) bounces down the stairs, face plastered with a near-constant, 100-watt grin. Though a little simple, Ellard exudes sweetness, particularly as he begins teaching Charlie English. Adorably, he scampers around the living room, pointing at various objects and declaring their names in a smooth, southern drawl.

Sydney Castiglione is Betty Meeks, a sweet, maternal old lady. When attackers invade her home she is fiercely protective, positioning herself squarely in front of Charlie's hunched body, a frying pan gripped tightly in hand. In this standout moment, her stance is wide, her voice is authoritative, and her loving nature is heartwarmingly clear.

The set for this production (Tate Heinle, Carrie Cutis) is expertly cozy and inviting. Cinnamon-brown wooden walls are adorned with mounted antlers, touches of hunter green are evident in door and window frames, a comfortable brown sofa dominates the seating area, and an American flag afghan is draped patriotically over a banister.

Sound, designed by Timothy Coleman and Adam Rooney, is impeccably executed by stage manager Samantha Brackman and sound board operator Avi Block. Through closed doors, only a gentle pattering of rainfall is audible, but, the moment doors open, this unobtrusive sound grows to a torrential roar. This synchronization is precise and impressive, adding realism to a kooky comedy.

At Fullerton Union High School, astute actors and talented technicians successfully create gut-busting comedy while maturely tackling heavy themes of discrimination and violence.

Emi Nishida
University
Submitted for publication to OC Facebook

Friendship and Farce in Fullerton Union's The Foreigner
written by Emi Nishida, a junior at University High School

Nestled in quaint Tilghman County, Georgia, is Betty Meeks' cozy Fishing Lodge Resort, housing a squabbling couple, slow-witted young man, and plenty of surprises. When a newcomer arrives, apparently a foreigner, the resort is turned upside down as secrets are revealed and chaos ensues.

The cast and crew at Fullerton Union tackle The Foreigner with impeccable hilarity, accuracy, and charm.

At the forefront of the show is Charlie Baker (Devin Ricklef), a shy Englishman who must pretend not to speak or understand English in order to avoid interaction with strangers at the cabin. Despite having limited sensible verbiage, Ricklef hilariously commands attention through over-the-top physical comedy, from flopping over a couch to wildly dancing around the kitchen.

Charlie's even softer side is displayed in his interactions with Ellard Simms (Tate Heinle). Ellard, joyful and childlike, is delighted at his ability to teach Charlie words in English, his eyes and mouth widening in elation. The two form a tender bond, and their interactions as Charlie helps Ellard to feel important are touching.

Boisterous and hospitable, Betty Meeks (Sydney Castiglione) is an enthusiastic delight. When she learns that Sgt. Froggy Lasuer (Cooper Miller) has brought a foreigner to her cabin, Castiglione's face lights up with joy and she runs about gleefully, hands clenched at her chest. Her obvious excitement is apparent and skillfully communicates Meeks' good-natured personality.

As Owen Musser, Gavin Huffaker induces fear and epitomizes racism. Huffaker saunters with an arrogant air, effectively demonstrating his elitist feelings, and revels in taunting Charlie for his foreignness.

The set design (Tate Heinle and FUHS Technical Theatre) excellently establishes the homey, snug location of the cabin with beautiful wooden and wood-grained stairs and walls. The cabin feel is further enhanced by the set decorations, such as a plethora of framed pictures and multiple examples of taxidermy and antlers.

Props by Ruby Hernandez are commendable for their precise accuracy. From real food being served as the resort's meals to the authentic 80s magazine cover, the attention to detail displayed throughout is impressive and allows for genuine interactions between actors and their environment.

All members of the cast deserve recognition for their mature and thoughtful portrayal of sensitive topics and commitment to character, which allow for a fully immersive experience.

A medley of talented actors and skillfully-executed technical elements, The Foreigner at Fullerton Union is captivatingly hysterical.

Emi Nishida
University
Submitted for publication to OC Facebook

Friendship and Farce in Fullerton Union's The Foreigner
written by Emi Nishida, a junior at University High School

Nestled in quaint Tilghman County, Georgia, is Betty Meeks' cozy Fishing Lodge Resort, housing a squabbling couple, slow-witted young man, and plenty of surprises. When a newcomer arrives, apparently a foreigner, the resort is turned upside down as secrets are revealed and chaos ensues.

The cast and crew at Fullerton Union tackle The Foreigner with impeccable hilarity, accuracy, and charm.

At the forefront of the show is Charlie Baker (Devin Ricklef), a shy Englishman who must pretend not to speak or understand English in order to avoid interaction with strangers at the cabin. Despite having limited sensible verbiage, Ricklef hilariously commands attention through over-the-top physical comedy, from flopping over a couch to wildly dancing around the kitchen.

Charlie's even softer side is displayed in his interactions with Ellard Simms (Tate Heinle). Ellard, joyful and childlike, is delighted at his ability to teach Charlie words in English, his eyes and mouth widening in elation. The two form a tender bond, and their interactions as Charlie helps Ellard to feel important are touching.

Boisterous and hospitable, Betty Meeks (Sydney Castiglione) is an enthusiastic delight. When she learns that Sgt. Froggy Lasuer (Cooper Miller) has brought a foreigner to her cabin, Castiglione's face lights up with joy and she runs about gleefully, hands clenched at her chest. Her obvious excitement is apparent and skillfully communicates Meeks' good-natured personality.

As Owen Musser, Gavin Huffaker induces fear and epitomizes racism. Huffaker saunters with an arrogant air, effectively demonstrating his elitist feelings, and revels in taunting Charlie for his foreignness.

The set design (Tate Heinle and FUHS Technical Theatre) excellently establishes the homey, snug location of the cabin with beautiful wooden and wood-grained stairs and walls. The cabin feel is further enhanced by the set decorations, such as a plethora of framed pictures and multiple examples of taxidermy and antlers.

Props by Ruby Hernandez are commendable for their precise accuracy. From real food being served as the resort's meals to the authentic 80s magazine cover, the attention to detail displayed throughout is impressive and allows for genuine interactions between actors and their environment.

All members of the cast deserve recognition for their mature and thoughtful portrayal of sensitive topics and commitment to character, which allow for a fully immersive experience.

A medley of talented actors and skillfully-executed technical elements, The Foreigner at Fullerton Union is captivatingly hysterical.

Sage Lamott
University
Submitted for publication to OC Facebook

Say "Gok" to Fullerton Union's "The Foreigner"
written by Sage Lamott, a freshman at University High School

In Fullerton Union High School's "The Foreigner" a little, all American lodge in Georgia gets a visit from a foreign stranger and the inhabitants are thrilled! His talk is strange, mannerisms odd, but he quickly picks up their native language. Is this man really as "foreign" as he claims?

The quick witted and absurd "foreigner" Charlie Baker, is portrayed by the lively Devin Ricklef. Beginning the story with tense shoulders and sharp reactions, Ricklef uses his physicality to his advantage. As the show progresses Charlie's shoulders release tension, his movements turn smooth and his smile widens. Consistently serving knowing looks and eyebrow raises, Ricklef remains engaged in every scene.

Abigail Lange depicts the distraught, brassy, Catherine Simms. Lange commands attention with her booming southern accent and rod like posture. Walking with contriteness and purpose, she storms the stage. While the story develops, Lange's posture relaxes and her voice softens, showing off her southern hospitality. Facial expressions and relaxed physicality effectively convey the change in Catherine.

As the young, sweet, dimwitted, little Ellard, Tate Heinle frolics around the stage, always wearing a signature smile. From bear hugs to whining, every movement Heinle makes is full of energy and animation. Using a childlike disposition and a loud stomp, Heinle portrays an accurate little brother figure.

With loving arms and a caring face Sydney Castiglione graces the stage with her motherly, yet stern, Betty Meeks. When interacting with Charlie, Castiglione speaks in long syllables with pauses in between her words, to enforce the archetype of the "foreigner." Her consistent accent and slightly slouched posture accurately reflect the mannerisms of an older southern woman.

The creative and clever set designed by Tate Heinle provides a realistic, fully functioning scene for the journey of the characters to play out in. Wood walls and flooring compliment patterned pillows and a crackling fireplace to create a cozy and accessible lodge. A fully slamming door, a staircase and a hallway serve as crafty entrances and exits to the space. Vines creeping up the windows and the American flag blanket draped on the staircase are specific choices made by the designer to enforce theme and setting. Specific details such as real food enhance the production quality and make the story believable.

From engaging actors to believable sets and props, Fullerton Union's "The Foreigner" flourishes with comedy and maturity creating an inciting, relevant production.

Sage Lamott
University
Submitted for publication to OC Facebook

Say "Gok" to Fullerton Union's "The Foreigner"
written by Sage Lamott, a freshman at University High School

In Fullerton Union High School's "The Foreigner" a little, all American lodge in Georgia gets a visit from a foreign stranger and the inhabitants are thrilled! His talk is strange, mannerisms odd, but he quickly picks up their native language. Is this man really as "foreign" as he claims?

The quick witted and absurd "foreigner" Charlie Baker, is portrayed by the lively Devin Ricklef. Beginning the story with tense shoulders and sharp reactions, Ricklef uses his physicality to his advantage. As the show progresses Charlie's shoulders release tension, his movements turn smooth and his smile widens. Consistently serving knowing looks and eyebrow raises, Ricklef remains engaged in every scene.

Abigail Lange depicts the distraught, brassy, Catherine Simms. Lange commands attention with her booming southern accent and rod like posture. Walking with contriteness and purpose, she storms the stage. While the story develops, Lange's posture relaxes and her voice softens, showing off her southern hospitality. Facial expressions and relaxed physicality effectively convey the change in Catherine.

As the young, sweet, dimwitted, little Ellard, Tate Heinle frolics around the stage, always wearing a signature smile. From bear hugs to whining, every movement Heinle makes is full of energy and animation. Using a childlike disposition and a loud stomp, Heinle portrays an accurate little brother figure.

With loving arms and a caring face Sydney Castiglione graces the stage with her motherly, yet stern, Betty Meeks. When interacting with Charlie, Castiglione speaks in long syllables with pauses in between her words, to enforce the archetype of the "foreigner." Her consistent accent and slightly slouched posture accurately reflect the mannerisms of an older southern woman.

The creative and clever set designed by Tate Heinle provides a realistic, fully functioning scene for the journey of the characters to play out in. Wood walls and flooring compliment patterned pillows and a crackling fireplace to create a cozy and accessible lodge. A fully slamming door, a staircase and a hallway serve as crafty entrances and exits to the space. Vines creeping up the windows and the American flag blanket draped on the staircase are specific choices made by the designer to enforce theme and setting. Specific details such as real food enhance the production quality and make the story believable.

From engaging actors to believable sets and props, Fullerton Union's "The Foreigner" flourishes with comedy and maturity creating an inciting, relevant production.