Evita
at Langley High School

Reviewed on April 27, 2018

Lily Perez
Woodrow Wilson Senior High School
Submitted for publication to Cappies News

Two grand staircases led the way to a balcony at the center of the stage, the stately architecture standing in juxtaposition with its cracked and exposed brick. It was upon this backdrop of power, and the corruption that lies beneath, that Langley High School chronicled the rise and fall of Eva Perón. The rock opera, first conceived in 1976 as a concept album by Tim Rice and Andrew Lloyd Webber, explores the Argentinian first lady's rise to prominence, her incredible legacy, and her untimely death. Langley High School's polished, poignant production of "Evita" burst with passion and executed all facets of the immensely demanding production to a high caliber.

Assuming the challenging role originated by Patti LuPone, Jessica Peros exuded the dichotomy of elegance and cunning ambition embodied by the titular character. Peros' charisma shone throughout dynamic dance numbers and intimate scenes, and her commanding physicality manifested the drive which led Eva Perón to rise from humble beginnings to represent her nation. Executed with nuance as well was her transition to becoming ailing and fatigued as her character succumbed to cancer, demonstrating that the weakness of Eva Perón's body failed to quell the vigor of her spirit.

Meeting the character's success with bitter cynicism was Mark Bosset's Che, a representation of the frustration with Eva's work beyond her popularity with the people. Crafting character development beyond the limits of his role as a narrator, Bosset contrasted compellingly with the Eva's devoted fans, his clear, fluid vocals nonetheless capturing the grit and frustration of the character. Sean Leech as Juan Perón deftly navigated the Argentinian president's rise in popularity and power, both of which were eclipsed by his wife. He delivered with determined stoicism and tender emotion.

The ensemble of "Evita" displayed astounding versatility and crisp execution of the challenging musical and physical demands of the production. Whether they performed as the hobnobbing elites of Buenos Aires, disciplined and slick soldiers, or as the impassioned citizens of Argentina, rousing and expressive energy burst from the stage. As a featured dancer in several numbers, Mary Peterson impressed greatly, accentuating the likewise impressive skill with which the ensemble members carried out complex choreography. Memorable turns by Cole Sitilides and Kaylie Gibbs as Magaldi and the Mistress, respectively, added variety and depth to the production's first act with excellent vocal execution and characterization. Their appearances left an impact lasting well after they had left the stage.

All the actors were richly costumed and shone in tandem with the seamless work of the student crew and lighting directors, the latter underscoring the emotional turns of the plot with an impressive backdrop that changed colors throughout the show.

The saga of Eva Perón's life is one which displays the risks and rewards of fame and influence, and its manifestation in "Evita" channels these into a riveting and profound production. The raw intensity of Langley High School's exhilarating ensemble and lead actors, along with impressive technical elements, gave the production emotional heft which was no less than the seminal musical demands.

Samuel Intrater
Albert Einstein High School
Submitted for publication to Cappies News 2

The cast and crew of Langley High School poured their hearts and souls into a production of the incredibly difficult and mature musical Evita that ultimately delivered on all fronts.

Evita first opened in 1976 with music by renowned composer Andrew Lloyd Webber (Jesus Christ Superstar, Cats, The Phantom of the Opera) and his frequent collaborator Tim Rice. The story follows the life of former First Lady of Argentina Eva Perón as she charms her way from an unsuccessful acting career to becoming a nation's most beloved public figure. The original Broadway production dominated the 1978 Tony Awards, with 11 nominations and 7 wins, and spawned a film in 1996 starring Madonna and Antonio Banderas.

The leading actors of the show displayed remarkable depth and captivating stage presence. Jessica Peros set the stage on fire as Evita. Not only did she command a powerful and versatile singing voice to attack the difficult score, particularly in numbers like "A New Argentina" and "Don't Cry for Me Argentina", but she developed a clearly flawed yet still magnetic character that you could see an entire country rallying behind, which is perhaps the most important aspect of the character and musical.

Ché, the show's snarky and cynical narrator, was a perfect role for the charismatic Mark Bosset. Bosset never let his character become a mere storyteller; he fully embodied his character physically and delivered a clear personality as he hilariously interacted with and criticized his scene partners. Sean Leech skillfully took on the tricky role of President Juan Peron, maintaining a stoic front while not being afraid to show emotion and loving chemistry with his wife in some of the show's more tender moments. Both Bosset and Leech also possessed very pleasant tones and huge vocal ranges.

Even with such exemplary lead performances, it was the ensemble that managed to steal the show in many respects. Not only did they sound like a professional ensemble in their chorus numbers, they managed to show off a very impressive emotional range, from utter despair in "Requiem" to hysterical arrogance in "Peron's Latest Flame" when they had to portray an increasingly nervous upper class in the face of revolution.

There was laudable attention to detail in all technical aspects of the show. Costumes and props were fitting and timely. The set, including a gorgeous balcony for Evita to look down upon her adorers, was very effective, and all scene transitions were seamless. Particularly in the second act, the lighting added to the production, with different colors being used to fit different moods and create some haunting images on the stage.

From this production alone, it's clear that Langley High School's cast and crew are capable of just about anything. Everything about Evita was well-rounded, polished, and full of personality.

Diana Witt
Westfield High School
Submitted for publication to FCPS Community News

The curtain opens on a solemn scene - the dim light of candles softly illuminate the stage and mourners in all black weep in remembrance of Argentina's First Lady, Eva Perón. Langley High School's production of Evita, however, was anything but somber. Truly a "night of a thousand stars," the talented cast and crew brought the vibrant history of Eva Perón to life onstage with their brilliant performance.

Originally a rock opera concert album in 1976, Evita's success led it to becoming a full length musical. With music and lyrics by Andrew Lloyd Webber and Tim Rice, Evita first premiered in the West End in 1978. The West End production garnered an Olivier Award for Best Musical, and the Broadway production was the first British musical to win the Tony Award for Best Musical. Evita follows the story of Eva Perón, affectionately called Evita, from her rise to stardom and political leadership to her tragic death.

Jessica Peros was radiant as the "diamond" of Argentina, the titular Evita. Peros oozed confidence and sass as the headstrong actress turned activist. Her deterioration of the once lively woman at the will of cancer was chillingly believable. She urged her country, "Don't cry for me, Argentina," but many were moved to tears by her powerful performance. A true triple threat, Peros not only demonstrated unwavering commitment to her role, but she also boasted a fierce belt and outstanding dance skill. Along with her male cast mates, Peros effortlessly executed impressive and technically challenging lifts. Playing opposite Evita was Sean Leech as her husband, president Juan Perón. The pair exhibited electrifying chemistry, especially in their passionate and romantic duet, "I'd Be Surprisingly Good For You." Leech embodied the masculine and stoic leader, while revealing a tenderness for his wife in times of woe.

Mark Bosset drove the plot as Che, a young revolutionary who narrates the rise and fall of Evita. Viewing Evita's story with a critical lense, Bosset provided an alternative perspective to her past. He showcased a commanding presence and vocal prowess with boundless energy in his various solos.

Another standout performer was Cole Sitilides, who played one of Evita's lovers, club singer Magaldi. With silky jazz vocals and a manly persona, Sitilides perfectly captured the young heartthrob. His talent shined in his smooth song "On This Night Of A Thousand Stars." The cast would not have been complete without the gifted and cohesive ensemble. They performed sharp choreography with precision, and their voices blended together flawlessly in seamless harmonies.

Dazzling technical aspects transported the audience to 1940's Buenos Aires. The versatile set featured a beautifully constructed, vine-covered balcony, along with other detailed pieces such as a bed and microphone stand. Swift scene transitions added to the tight and crisp professionalism of the show. Realistic wigs completed the authentic portrayal of Evita. Gorgeous lighting effects accentuated the raw emotions of each scene. A brightly colored cyclorama lit up with a striking rainbow during upbeat songs and faded into blue and gold hues during intimate interactions. The lighting crew implemented silhouettes and spotlights during passionate or heart wrenching moments.

"Perón! Perón! Perón!" cheer Evita's adoring supporters before her illness began wearing her down. While her glory faded away, her legacy certainly did not. Langley High School's poignant production of Evita celebrated the life of Eva Perón with heartfelt performances and stunning technical effects.

Carly Megan Shaffer
Herndon High School
Submitted for publication to Patch.com

"Oh, what a circus! Oh, what a show!" Langley High School put on an extraordinary production of Evita on Friday night.

Written by Andrew Lloyd Webber and Tim Rice, Evita chronicles the life of Eva Perón, the charismatic First Lady of Argentina from 1946 to 1952. The musical details her early life and marriage, her rise to power, her philanthropy, her battle with cancer, and her untimely death.

Evita was released as a rock concert album in 1976. Since then, it has played on the silver screen and on stages all over the world. With its powerful themes of fame, service, feminism, and love, it is no wonder the story has become a timeless classic.

Jessica Peros was sensational in the title role of Evita. She commanded the stage with her alpha female attitude and strong belt. Her solo songs, particularly "Don't Cry For Me Argentina," were breathtakingly beautiful. In act II, when her health began to fail, her fiery personality faded, and she transformed into a woeful older woman. She made the audience feel deeply for her as she struggled to continue leading her people. From beginning to tragic end, her performance was truly unforgettable.

Peros developed a wonderful relationship with Sean Leech, who played Juan Peron. Together, they were the embodiment of a political power couple. Leech was striking and authoritative as the president, but he also had a sensitive side. When his beloved wife fell ill, he showed genuine distress, and he devoted himself to taking care of her. It was touching to watch his love for Evita flourish over the course of the show.

Every good story needs a storyteller, and Mark Bosset filled that role as Che. Since Evita is a through-composed musical, Bosset narrated the entire show in song, gracing the audience's ears with his incredible voice. He was a solid presence, delivering commentary on the action while occasionally taking part in it himself. Witnessing his extraordinary talent was one of the highlights of the night.

Evita is a challenging show, but the dedicated ensemble's energy never faltered. Each company member performed with a remarkably vivacious spirit. Cole Sitilides (Magaldi) and Kaylie Gibbs (Mistress) were particularly notable. The chorus displayed raw intensity in every scene. They were all engaged and in the moment when singing, dancing, and interacting with each other. Perhaps their most striking moment was the song "A New Argentina," where they took to the stage in protest, waving banners and pumping their fists wildly.

The show's technical aspects were astonishing as well. The action took place on a gorgeous, hand-painted set backed by a colored lighting display. The color of the lights changed frequently, turning red for the protest, and multicolored for the "Rainbow Tour". This creative touch contributed greatly to the mood. Transitions were seamless and cues were hit perfectly, allowing for a tight and polished performance.

By the end of the night, it was clear that in Langley's Argentina, "the voice of the people cannot be denied!"

Tessa Moore
St. Stephen's & St. Agnes School
Submitted for publication to Connection

One doesn't have to cry for Langley's rendition of the famous rock opera "Evita." Written by Tim Rice, "Evita" tells the the story Eva Peron, originally Eva Duarte, the wife of Juan Peron and First Lady of Argentina, as narrated by Revolutionary and Guerrilla leader Che Guevara. This particular production, much like the idolized woman herself, captivated the audience with its dazzle and "star quality."

The musical opens up with a black and white clip, which is interrupted with a photograph of Eva, announcing her death. This is an example of one of the fantastic technical aspects of the show. Other tech aspects that should be praised include the masterful lighting, which matched the tone of each musical number and added to the beautiful set and overall experience.

The rest of the show is a flashback which reveals the true life story of the immortal first lady. She starts her life as lower class and climbs her way up the social ladder, clashing with the preexisting upper class and military. She charms a prominent military figure, Colonel Juan Peron, who she marries. She helps him increase his presence and he later becomes president, making her the first lady of Argentina. This musical shows the woman behind the name Eva Peron.

Jessica Peros looked stunning and performed at a professional level in the title role of Eva Peron. She exhibited impressive vocals, as well as incredible dancing skills all throughout the show, which is a feat within itself as the show is almost entirely sung.

Mark Bosset, as Che Guevara, and Sean Leech, as Peron were also notable figures in this production with impressive vocals and dancing skills. Bosset brought intensity to the role and commanded attention while he was on stage. Leech fit his stoic character's personality perfectly, but when sharing the stage with Eva, his love for her was very believable.

As previously mentioned, the show is almost entirely sung, so the ensemble has to be strong. Every member of the cast brought high energy to every scene, making some of the most notable songs of the night those involving the entire cast. The choreography was masterfully done, and the company wide dance members were a stellar sight to see. The soldier's dance numbers were incredibly synchronized and striking. The two featured dancers, Mary Peterson and Elenitsa Sgouros, in the number "Rainbow High," were elegant and visibly beautiful on stage, as well. All in all, since virtually everyone had a dancing part in this show, the cast performed extremely well and showcased a wide variety of skills.

Ultimately, Langley's Production of "Evita" was an event not to be missed!

Theresa Carr
The Madeira School
Submitted for publication to Fairfax County Times

"Perón! Perón! Perón!" The crowds chant as they rush down the street, dancing and waving their handkerchiefs as they see the leaders of their country addressing them as valuable citizens. This is the story of Eva "Evita" Perón, one of the most dynamic first ladies in history who captured the hearts of the Argentinian people. The musical chronicles her journey of clambering power and untimely decline.

"Evita" was a rock-opera concept album in its first incarnation, a collaboration between Tim Rice and Andrew Lloyd Webber, and it eventually was staged on the West End in 1978 and then on Broadway in 1979. Filled with accidentals and almost entirely sung through, this show is a challenge for any group of performers, but Langley High School surmounted that challenge with enthusiasm and vigor in their production of "Evita".

Evita (Jessica Peros) was a force to be reckoned with throughout the show, moving the audience with her wide vocal range and impressive endurance. Peros established her character with nuance, portraying the ambition, power, and vulnerability of the icon. The journey from Eva's youthful passion to her humble demise by cancer was portrayed with sensitivity and detailed physicality. Her most touching moment was the song "Eva's Final Broadcast," a reprise of the showstopper "Don't Cry for Me Argentina," featuring a dying Evita resigning from public life. This contrast between Evita at her most influential to the least powerful she has been in her life is a testimony to the power she once had.

Juan Perón (Sean Leech), Eva's comrade-in-arms, husband, and eventual President of Argentina, in many ways, showed the cost of ambition. Leech's portrayal was stoic, in-line with the historical character, which made his vulnerability their marriage even more touching, especially as he begins losing Eva.

Che Guevara (Mark Bosset), narrated the story and questioned the morality of the Peróns's tactics and intentions. Eyebrows perpetually raised in skepticism, Bosset brought snark along with his strong baritone, entertaining the audience while undermining the adoring nature of Peronism in Argentina.

Despite Che's pleas, the people of Argentina still adore their Evita and the ensemble sold the musical with their consistent energy and engagement, contextualizing Eva as the beloved leader she was. Each ensemble member brought character and fun to their roles while still remaining cohesive as a group, especially in large dance numbers such as "Buenos Aires." They were essential to portraying the theme of class divisions through the show, weaving the different costumes with distinct characterizations.

Argentinian flair was found throughout the show, from the catchy music to the dramatic balcony and detailed railings that comprised the minimal but adaptable set. Lighting cues enhanced set, and utilized a strong color design, changing seamlessly to fit changes in tone.

Despite her flaws, this show will leave you wanting more for Eva-- perhaps a chance to reconcile her mistakes with the public that adored her or grow old with Perón. Langley's production of "Evita" was simultaneously heartfelt and entertaining, a testament to the power of a life fully lived.