Bye Bye Birdie
at Woodbridge Senior High School

Reviewed on April 11, 2014

Yena Seo
Thomas Jefferson High School for Science and Technology
Submitted for publication to Washington Post - Prince William

Multitudes of screaming, shaking teenage girls clutch desperately at a crooning, hip-swiveling heartthrob, squealing and sighing at his every move. Though it may seem like a Backstreet Boys or Justin Bieber concert, it's actually Woodbridge Senior High School's irresistible production of Bye, Bye, Birdie, which had every audience member tapping their toes and putting on a happy face.

Written in 1960 by Michael Stewart, Lee Adams and Charles Strouse, Bye, Bye, Birdie is a musical satire commenting on American society and its unhealthy obsession with pop icons and rock ‘n roll superstars. The original Broadway production, starring Dick Van Dyke and Chita Rivera, won the Tony Award for Best Musical, garnering several revivals and a 1963 film adaptation. The candy-coated musical, inspired by the phenomenon of Elvis Presley's draft notice into the Army, chronicles agent Albert Peterson as he struggles to write one last hit song for his client, teen heartthrob Conrad Birdie. When Albert and his girlfriend Rose arrange to have Conrad travel to small town Sweet Apple, Ohio to bestow one last kiss on super fan Kim MacAfee, an animated mix of chaos, jealousy and hilarity ensues.

Fantastic technical elements were stunningly designed and intelligently executed, bringing the bright, be-bop 1950s feel to the stage. Revolving set pieces were rotated throughout the show, each side meticulously painted as the backdrop of a particular scene and allowing for swift and easy set changes. Partnered with period-era props, the adaptable set shone under Justin Janke's lighting design, which was skillfully implemented and prismatic, reflecting the bouncy, colorful tones of the show. A kaleidoscopic range of costumes, from poodle skirts to suave suits, accurately depicted the vibrancy of the era and the differences between the teenaged "steadies" and their outdated parents. Sound technicians worked as a cohesive unit with the talented pit orchestra, ensuring that all performers could easily be heard.

At the helm of the show, Austin Hurlbrink and Victoria Unterberger anchored the production with endearing chemistry and enthusiasm. Hurlbrink was magnetic as Albert Peterson, delivering consistent vocals and a commanding stage presence. Hurlbrink mesmerized the audience with his charming personality, especially in numbers such as "Put on a Happy Face." Unterberger was brilliant as the headstrong Rosie, boasting impressive vocal chops and graceful dancing abilities, proving herself to be a triple threat. Unterberger also choreographed many of the impressive, show-stopping numbers, featuring tap and ballet sequences throughout the show, as well as many synchronized movements in larger ensemble numbers such as "Telephone Hour."

Several supporting actors added to the hilarity of the production, imbuing their performances with ambition and fervor. As the suave and swoon-worthy title character, Aidan Houston portrayed the Elvis-like crooner with gusto, particularly in "Honestly Sincere," in which he exhibited solid vocal prowess and superb physicality. Danny Waldman and Jordan Frederick as Mr. and Mrs. MacAfee demonstrated a believable chemistry together, and Waldman masterfully depicted a caricature of a stereotypical American dad, taking advantage of every comic opportunity while simultaneously showcasing phenomenal vocal talent. Cleo Mimano and Zoe Sellers were absolutely uproarious as Birdie-obsessed best friend Ursula Merkle and overbearing mother Mae Peterson, while Trey Krause's sweet personality and humorous antics as jealous boyfriend Hugo Peabody gained sympathies from the audience. Overall, the entire ensemble remained dedicated throughout the production, creating a fun, jovial atmosphere.

Though written over half a century ago, Bye, Bye, Birdie gives a nod to the absurdity of fan culture still present today. Heralded by breathtaking technical elements, soaring vocals and lively characterizations, Woodbridge Senior High School's production of the timeless musical was nothing short of honestly sincere.

Nikki Amico
West Potomac High School
Submitted for publication to Washington Post - Prince William

Poodle skirts, hair gel, rock-n-roll, Elvis Presley, and of course, Conrad Birdie! Spunky and charismatic, Woodbridge Senior High School's production of Bye Bye Birdie transported audience members back to this turbulent time of social revolution, the rocking 50s.

Bye Bye Birdie, written by Charles Strouse, Lee Adams, and Michael Stewart, opened on Broadway in 1960, going on to run for 607 performances and win four Tony awards. The show is a satirical portrayal of 1950s pop culture, filled with screaming teenagers and swoon-worthy crooners. Following the story of a music manager still dependent on his mother and with a secretary, Rosie, vying for his love, the show is ripe with comedic moments and lovable characters. Albert Peterson, a talent manager, is charged with the task of saving the reputation of his client, Conrad Birdie, before he goes off to war. Conrad, however, has more interest in indulging himself than taking part in the scheme his team devises for him to share "one last kiss" with the president of his fan club in Sweet Apple, Ohio. Nevertheless, Albert, Rosie, and Conrad head off to Sweet Apple and are thrown into a whirlwind of rebellious teens, angry parents, and young love.

Albert Peterson, portrayed by Austin Hulbrink, was a quirky yet endearing character who carried the show well. Hulbrink's clear understanding of his character and strong vocals allowed him to command the stage with ease. Likewise, Victoria Unterberger gave a splendid performance in the challenging role of Rosie, demonstrating her triple threat skills. In addition to having a knack for comedy and strong stage presence, Unterberger developed her character with technically flawless dancing and powerhouse belt vocals. However, it was Aidan Houston who stole the show in the role of Conrad Birdie. Before even opening his mouth, Houston portrayed Birdie with overwhelming charisma and expressive physicality. His nuanced performance fueled both the comedy and overall energy of the show.

The talent of this cast was evident not only in the leading actors, but in supporting and featured roles. As Harry MacAfee, Kim's aggravated father, Danny Waldman demonstrated acute comedic timing and created a hilarious character. From humorous one-liners to an outrageous duet with his wife, Waldman consistently left the audience in stitches. A standout from the ensemble of energetic teens was Brian Bennett as Harvey Johnson. Bennett lit up the stage and was consistently committed to his lovable character.

The technical elements of the show maintained the brightness and energy created by the entire ensemble. The set, cleverly designed by Tori Lockamy and Lindsey Kalland, consisted of three main pieces that had various adornments on them and rotated to serve as the background for many scenes. Achieving seamless transitions, the set crew allowed for the quick pace of the show to be maintained throughout. The lights and the scenery combined to set the light-hearted mood with a pastel color theme. The sound was impeccable as all actors were clearly heard and there were no issues with the microphones. Overall, the student production staff succeeded in using tech to improve the show and effectively communicate the story.

With a committed ensemble, dynamic lead actors, and superb tech, this production brought the booming 1950s to life in a cheerful way. A heartwarming love story with rocking tunes, Woodbridge Senior High School's Bye Bye Birdie left the audience with a smile on their faces, songs in their heads, and love in their hearts.

Wesley Diener
James Madison HS
Submitted for publication to ShowBizRadio.net

Sweet Apple, Ohio suddenly explodes into a flurry of excitement and terror: parents are cringing, children are squealing, and teenage girls are fainting. What could cause such a dramatic uproar in this quaint little town? The only reasonable possibility, of course! Conrad Birdie, America's superstar, graces the rustic Midwest with his far-reaching presence before leaving the country to join the war. Woodbridge Senior High School transported its audiences to the iconic 1950's with its popping rendition of Bye Bye Birdie, full of neon colors, swanky dance moves, and outrageous personalities.

Written in 1960 by Michael Stewart, Charles Strouse, and Lee Adams, Bye Bye Birdie follows one small town's experiences as an iconic superstar, Conrad Birdie, grants one final kiss before journeying overseas to join the war. After opening on Broadway in 1960, this timeless production quickly gained accolades across the globe, resulting in a London production, a 1963 movie, and a 1965 television interpretation. The plot hones in on several specific characters, shining a light on 1950's lifestyle that provides a more accurate perspective than many satirical works on this era.

The leading members of Woodbridge's cast charged the production with an emotional journey that provided an added layer to the school's interpretation. Austin Hurlbrink (Albert Peterson) used his lanky structure to his advantage, developing an awkward physicality that enhanced his character's uneasiness and insecurity to generate countless comedic moments. Hurlbrink's interactions with his cast mates, especially Victoria Unterberger (Rosie Alvarez) enriched his earnestness. As Hurlbrink transformed into a subservient weakling under Unterberger's oppressing glares, both actors displayed an impressive level of characterization and interaction.

Bye Bye Birdie also presents fruitful opportunities for actors to embody larger-than-life personalities. As the silky smooth and outrageously handsome superstar, Aidan Houston (Conrad Birdie) entranced viewers with his popping facial expressions and stylistic dance moves. Challenged by a substantial amount of stage time without speaking lines, Houston's physical characterization successfully represented the stereotypical rock star in a comedic light. His boundless energy circulated throughout the entire cast, highlighting show-stopping dance numbers like "Honestly Sincere" and "A Lot of Living to Do".

While each principal character developed a unique persona that lit up the stage, the supporting actors truly embodied the iconic caricatures of the 1950's lifestyle. Danny Waldman (Mr. Harry MacAfee) and Jordan Frederick (Mrs. Doris MacAfee) delivered a spot-on interpretation of the bumbling and clueless parents that characterize this decade. The audience erupted into side-splitting laughter as Waldman packed an extra punch to each of the disgruntled father's comedic moments, but a hush spread through the auditorium when Waldman eased out his first vocal solos, serenading listeners with his lush tone and rich vibrato.

Such an explosive musical requires substantial support from the technical crews to energize the audience and Woodbridge Senior High School's crews certainly surpassed the challenges that Bye Bye Birdie presents. Most impressive was the extensive collaboration that clearly took place among the various crews, specifically among lighting, costumes, and sets. The color scheme, full of bright and pleasing shades, helped establish the joyful and upbeat mood that the 1950's is remembered for, despite some distracting contemporary costume pieces.

Overall, Woodbridge Senior High School's specialized ensembles of singers, actors, and dancers presented a radiant representation of the 1950's in the way that Stewart had intended. By the end of the musical, the cast's enthusiasm and commitment had the audience grinning for miles as we all "put on a happy face"!

Jamie Joeyen-Waldorf
Langley High School
Submitted for publication to Lorton Valley Star

In the small town of Sweet Apple, Ohio, there's an outbreak of "bird flu," also known as a highly infectious obsession with rebellious rock and roll star, Conrad Birdie. Woodbridge Senior High School's enthralling production of the satirical musical, Bye Bye Birdie, transported audiences back to the late 1950s era of colorful characters and buoyant tunes.

From the team of Charles Strouse (music), Lee Adams (lyrics), and Michael Stewart (book), Bye Bye Birdie premiered on Broadway in 1960 to critical acclaim, winning the Tony Award for Best Musical and spawning several major revivals, a 1963 film adaptation starring Dick Van Dyke, and 1995 TV movie. The plot centers on Albert Peterson as he manages the career of teen sensation and newly-drafted soldier, Conrad Birdie. In a last-minute marketing campaign, Conrad and his team travel to Sweet Apple, Ohio to bestow one last kiss on Birdie fanatic, Kim MacAfee, on national television. When the small town goes crazy with rampant, free-wheeling teenagers, comedy ensues as Peterson must keep his liquor-loving star out of trouble, all while mending his romance with frustrated secretary, Rosie Alvarez.

Featuring a versatile mix of student choreography by Victoria Unterberger, the show included everything from tap, to ballet, to latin-infused dance moves, all brought together seamlessly by the melodic tunes of the upbeat orchestra. Student director Jordan Frederick admirably took on the challenge of blocking select scenes in between musical numbers.

The charming Austin Hurlbrink portrayed workaholic Albert Peterson with boundless energy and adept vocals. Hurlbrink truly captured the flustered character amidst chaotic surroundings with a comedic touch. Opposite him, Victoria Unterberger as the underappreciated secretary, Rosie Alvarez, also performed notably with pleasant singing and advanced footwork skills, her saucy frustration vented in several symbolically powerful dance sequences. Showcasing captivating body language, Aidan Houston as Conrad Birdie drew the audience's attention from the moment he stepped on stage. Complete with gyrating hip thrusts, collar popping, and smooth-talking phrases, Houston's Elvis Presley-like persona shined through.

Emma Seguin, Danny Waldman, and Jordan Frederick were highlights as the MacAfee family with quirky, well-defined relationships. Seguin breathed life into the cheery, teenage-crazed Kim. Meanwhile, Waldman and Frederick's age appropriate mannerisms and physicality did not go unnoticed; the couple's juxtaposition of personalities (Waldman's protective alpha male vs. Frederick's subdued rationalism) created enjoyable comedic moments. Despite some missed harmonies, the entire ensemble produced a fun, campy atmosphere that matched the show's style.

Incredibly innovative and versatile, the set consisted of multi-story, hollow block structures that served as houses, telephone booths, and other unique settings. Scene changes proved to be silent, while the lighting design matched the bright color scheme of the play with effective, spot-on cues. Although some of the costumes did not match the show's time period perfectly, each piece was visually pleasing and color coordinated for a cohesive ensemble effect.

Weaving in high-spirited, whimsical tunes with an endearing story of mended love, Woodbridge Senior High School's production of Bye Bye Birdie truly soared as, seeing the cast's duly-noted efforts, the audience couldn't help but "put on a happy face."

Yvonne Nguyen
Hayfield Secondary School
Submitted for publication to Prince William Times

Welcome to the 1950s, when going steady, getting pinned, and Conrad Birdie are all the rage! Kim MacAfee is one of millions of Birdie fans, all coping with the terrible news-- Conrad Birdie is going into the army! When Conrad Birdie stops by Sweet Apple, Ohio to give Kim MacAfee "One Last Kiss," the small town is turned upside down. Woodbridge Senior High School's production of Bye Bye Birdie, pays homage to America's own King of Rock.

Bye Bye Birdie is a comical musical inspired by the American star, Elvis Presley and his own draft notice into the army. Book by Michael Stewart, lyrics by Lee Adams, and music by Charles Strouse, Bye Bye Birdie opened on Broadway in 1960, running for 607 performances, returned in 1981 for a sequel, and was then revived on Broadway in 2009. The comedic story was later turned into a 1963 film starring Dick Van Dyke and Ann-Margret.

Austin Hurlbrink graced the stage in the role of Albert Peterson, Conrad Birdie's manager. Hurlbrink's facial expressions and energy had the audience rooting for him. No matter what ill-advised stunt he always seemed to be pulling, Hurlbrink still seamlessly portrayed a 1950s man. Rose Alvarez was portrayed by Victoria Unterberger. Her dynamic and powerful command of the stage contrasted nicely with Hurlbrink's more subtle approach. Unterberger showed her talent in more ways than one, proving she was well on her way to becoming a triple threat. Especially in songs like "Spanish Rose", Unterberger's confidence shined through. The chemistry between Hurlbrink and Unterberger was evident, which was an impressive feat, for the relationship between the two characters is definitely a complex one.

Kim MacAfee played by Emma Seguin was very convincing and believable. Her attempted rebellion and urge to be independent, was very easily relatable, and her commitment to her character was impressive. The famous Conrad Birdie was portrayed by Aidan Houston. Despite having few lines in his first few scenes, Houston was easily the most comedic actor on stage. His vivid body language and theatrical facial expressions never waned. The other actors onstage were easily able to feed off of the energy Houston was projecting.

The large ensemble of the show worked together well, creating abundant stage business. In this fashion, there was always something to watch. The Adult Chorus, in particular was a joy to watch. "Kids Reprise" was the highlight of the show. Mr. and Mrs. MacAfee (Danny Waldman and Jordan Frederick) nailed the 50's dynamic very well, and Waldman's strategic use of dramatic pause, and varying intensity made Mr. MacAfee a very memorable character.

When the curtain opened, the first noticeable aspect, was the extremely ingenious set. Decorated in playful colors, and dressed with elaborate set pieces, the set was easily transformed again and again, and took the audience straight into Sweet Apple, Ohio. The orchestra was also creatively incorporated into the show in multiple ways, as well as playing music impeccably well. The costuming of the show was refreshing, as Woodbridge Senior High School decided to stay away from the clichéd poodle skirts, and instead went for a more realistic approach to 50's clothing. While some costume pieces were not period, the majority of the costuming was impressive.

Woodbridge Senior High School pulled off a playful and entertaining production of Bye Bye Birdie. With high energy, creative choices, and talented actors, this production should be considered a success.

Chris Knarr
Chantilly High School
Submitted for publication to Patch.com - PWC/FQ

What if Justin Bieber was drafted into the army? Imagine the huddled masses of sobbing teenage girls, the omniscient media coverage, and the sheer monstrous event created out of some slick early-twenties pop star becoming the ‘hottest soldier since Joan of Arc.' Take it back around 60 years and we arrive at Woodbridge Senior High School's production of Bye Bye Birdie. The high energy, finger wagging musical composed by Charles Strouse debuted on broadway in 1960, taking home 8 Tony nominations and 4 awards in it's first year. This began a legacy of revivals and adaptations, the best known being the classic 1963 film starring Janet Leigh and Dick Van Dyke.

The musical pivots around 1950s pop star Conrad Birdie's final goodbye before being pulled off to war. However, Birdie is a drunkard and all over slob. Luckily his manager, Albert Peterson, has staged a final goodbye song and one last kiss from a very lucky fan. Kim MacAfee's teenage dream comes to fruition; however, with a jealous boyfriend, Albert's sometimes estranged love interest, and Murphy's law in full swing, not all goes as planned.

Woodbridge Senior High School took to the stage in something reminiscent of a high-production broadway show. A common color scheme between the heavenly lighting, the awe inspiring set, and the totally fabulous costumes kept the show engulfed in the vivid, bubbly, surreal 50's vibe without the ridiculous campiness of Hairspray or Grease. From angry, jazz ballet to classic doo-wop numbers, the cast and crew of nearly 70 students delivered a mesmerizing performance.

The teenage cult of personality, Conrad Birdie, played by Aidan Houston was the epitome of young angst and rebellion in the 1950s. Houston's extensive physical characterization creates an addicting character to watch; as if it were Elvis himself on the stage. Conrad's manager, Albert Peterson, played by Austin Hurlbrink was a character as real as life itself. From Hurlbrink's first movements to the final curtain, there was not a single moment that he was out of character. Hurlbrink took great liberty in his reactions, facial expressions, and body language. He truly acted in between the lines.

Kim MacAfee played by Emma Seguin, embodied teenage rebellion and coming to age in a performance we can all relate to. Kim's fandom, teenage stubbornness, and search for her identity makes a killer combination for a character that is left imprinted long after the curtain closes. Albert's love, Rosie Alvarez, played by Victoria Unterberger had the most beautiful voice, more dance solos than you can shake a stick at, and the sassiest Spanish passion on this side of the Atlantic.

The set was magnificent, two multipurpose, rotatable towers that were both slightly minimalistic and still above and beyond the typical high school production. Attention to detail was a major theme of the technical elements of this production. Costumes, lighting, and set colors all matched and involved seamless transitions and costume changes.

As Conrad Birdie would say himself, "You've gotta be sincere," and if I'm being sincere, I would highly recommend this show. Woodbridge Senior High School has taken this musical and brought it straight to the stars.